Traumatising Matter: JC Jacinto's Plastiglomerate Art as Miniaturised Catastrophes
Pessimistic ravings on ‘Forced Passage’ at ArtInformal
Review of ‘Art – Spaces – Us’: Urgent Voices from Liminal Spaces
Young Burmese artists claim space beyond gallery walls
Review of ‘Interlaced Journeys: Diaspora and the Contemporary in Southeast Asian Art’
Generative proposals for re-examining the diaspora
Bondage, Submission, and Exploitative Capitalism
Review of selected works by Kawita Vatanajyankur
Review of 'Modern Art of Southeast Asia: Introductions from A to Z' by Roger Nelson
Rethinking form, content and accessibility
Review of Thaiwijit Poengkasemsomboon's ‘The Leftover’
Gallery Ver and Artist+Run at art complex N22 in Bangkok
Review of Apichatpong Weerasetakul’s ‘Almost Fiction’
New photographic work at Gallery Seescape
Review of ‘Điềm Mờ (Opaque Signs)’ at Sàn Art
Fundraising show of light-based installations in Ho Chi Minh City
Review of ‘2219: Futures Imagined’ at ArtScience Museum
Looking 200 years into Singapore’s future
Review of 'Shaping Geographies' at Gajah Gallery
Wulan Dirgantoro, Michelle Antoinette, and Southeast Asian women artists
Southeast Asia at Hugo Boss Asia Art Award
Female Artists Eisa Jocson and Thảo-Nguyên Phan
Review of ‘RIFTS’ at Bangkok Art and Culture Centre
Multiplicities of contemporary artistic practices in Thailand