Reimagining a Third World utopia

Merging natural, mythical, and cyber phenomena

Diaristic canvas as memory capsules

Reimagining traditional Malaysian cloth

Institutional critique with heart

Connecting personal and collective memories

Beauty in the ordinary

Rethinking ecological problems and overconsumption

Exploring anthropocentrism and virtual reality in ‘PASSCODE , THE DARK DAY’

Hybrid drawings in thread and pastel

Collapsing timelines and conjuring possibilities through fabulations

Reinterpreting objects beyond their forms and functions

Dilemma of the diaspora in dynamic forms

Observing and researching surrounding landscapes

‘Tales’ and Monologue Art Gallery

‘Hikayat Wanatentrem’ and ‘Testimonial Object’

The connection between nature and humanity

‘River Kwai’ series and ‘Spirit-forward in G Major’

A space to breathe and create

Discomfort and disruption in ‘We will never have earthquakes’