LANDING Panel 4 | How do estates keep their artists’ legacies alive?
Pio Abad and Alex Turnbull
LANDING Panel 3 | How do art dealers conduct business “as usual”?
Sukontip Fon Prahanpap, Lim Wei-Ling, Santy Saptari
LANDING Panel 2 | How do we carve out and sustain independent agendas?
Dominic Zinampan, Ha Dao and Reaksmey Yean
LANDING Panel 1 | How do young artists navigate their artistic coming of age?
Divaagar, Quỳnh Lâm, Kamolros Wonguthum
The Rise of Alternative Art Biennials
Womanifesto, Bangkok Biennial, Kamias Triennial, Power Play SG
How Can Art Biennials Continue to be Relevant?
Curatorial Education and Possibilities of the Exhibitionary Form
My Own Words: Logics and Leeways
Curatorial Education and Possibilities of the Exhibitionary Form
NFTs: The Good, The Bad, The Uncertain Future
Southeast Asian artists experiment with digital artworks
Art Basel and UBS Global Art Market Report 2021
More from Dr Clare McAndrew and Adrian Zuercher
SAW Art Symposium | Grounded and Ready for Take Off: Flight Plans for 2021
Yanyun Chen, Khai Hori, Adele Tan, Josephine Kelliher
RESET Talk 5 | Making Space: Support Systems for a Diverse Art Ecosystem
Han-Song Hiltmann, James Page, Michelle JN Lim, and Wang Ruobing
RESET Talk 4 | Back to Basics: Material Practices in the Digital Age
Alecia Neo, Masuri Mazlan, Jason Lim, Zarina Muhammad
Indonesian Artists Irwan Ahmett and Tita Salina on Cranial Relics
In ‘Planetary Solidarity’ by Terremoto
